These are images of inherent violence. The landscapes are desolate and barren, inhabited by the individuals caught up in the turmoil and chaos of Cambodia’s vision of progress. The mechanics of development are engulfing a previous way of life and replacing it with these empty spaces utterly dislocated from the people who now inhabit them.
The portraits are from the protagonists of our film; the activist, the mother and the multimedia monk, then the innocent bystanders and the workers who carry out their bosses orders.

